| Jason Grote - Scripts |
Last updated 12 July 2009
1001 is available for purchase. Most other plays available via:
New Dramatists
424 West 44th Street, NYC, 10036
(212) 757-6960
http://newdramatists.org
Or:
AO International
1963 W. Foster Ave. #2,
Chicago, IL 60640
aoegel@aoegelinternational.com
* = short play
1001
A postmodernist take on The Arabian Nights, by way of Edward Said, Azar Nafisi, Borges, Hitchcock, Calvino, and Monty Python, among many others. Premiered at Denver Center Theater in 2007, subsequent productions at The Contemportary American Theater Festival, Page 73, Theater @ Boston Court, Mixed Blood, Rorschach Theater, UCSD, UW-Milwaukee, and DePaul (click here for reviews). Developed in Soho Rep Writer/Director and Phase 2 Labs, The O'Neill Playwrights' Conference, and Colorado New Play Summit. Staged readings at Baltimore Centerstage and New York Theater Workshop. 2F, 4M, 1hr 50 min.
(Anti)gone*
A dark comedy. Antigone is charged with the crime of burying her brothers -- even though the war left no bodies for her to bury. Haemon could take over the kingdom if he ever stops playing video games and trying to kill his father. And airline pretzels and huge corporate deals cannot satisfy Erisycthon's hunger. In this postmodern take on Antigone, daily life becomes mythic in the urban non-landscape of malls, highways, and airports. 2 females, 2 males, 2 either (5-22 actors possible: 2-10 females, 3-12 males). Staged reading at The Williamstown Theater Festival. Published in Three Classics, from Playscripts Inc.
Box Americana
In progress. A commission from The Working Theater, this play is a surreal vision of the Wal-Martization America. Inspired by the largest class-action suit in history (a sex discrimination suit against Wal-Mart), this play follows a group of hapless American women and their encounters with the Ghost of Sam Walton (who seems to be channeling Jean Baudrillard). Developed at The Lark, The Playwrights' Foundation's "In The Rough" Series, Portland Center Stage's JAW/West Festival, and The O'Neill Playwrights' Conference; staged readings at Playwrights' Horizons and Woolly Mammoth Theater. 3F, 3M. 90 minutes.
Civilization (All You Can Eat)
In progress; a commission from Clubbed Thumb. Originally conceived as a Joint Stock-style project about food in the 2006 Lincoln Center Directors' Lab, this play started out as a sort of a Kaufman-and-Hart-esque comedy about cannibalism and industrial agriculture, but is currently (d)evolving into a radio play for the stage, part Joe Frank, part Gertrude Stein, part garage rock musical. Excepts from Lincoln Center Directors' Lab version published in KNOCK, a journal of Antioch University, Seattle. Cast and length flexible.
Darwin's Challenge
A broad farce in which the young Charles Darwin winds up on a 21st-century reality show, said show based on a total mangling of Darwinism. A Sloan Commission from Ensemble Studio Theatre, developed at The Lark. 3F, 3M, running time 90 minutes.
Hamilton Township
Based on a true story, this play chronicles my own history with murder, resurrection, and environmental catastrophe in suburban New Jersey. guest-starring the Jersey Devil, or someone a lot like him. Premiering at Salvage Vanguard in June 2008 (click here for reviews). Developed in Soho Rep Writer/Director and Phase 2 Labs. 2F, 2M. 70 minutes.
In His Bold Gaze My Ruin Is Writ Large*
A wacky short take on Racine's Phaedra, using found text from martial arts message boards, some puppets, and lots of cheap red wine. Developed at the Orchard Project with members of Radiohole, The Production Company, and Drama of Works, and published in KNOCK, and in Three Classics, from Playscripts Inc. Cast flexible. 20 minutes.
The Island of Never Giving Way on Your Desire*
A site-specific play about the secret origin of Roosevelt Island, inspired by the writings of Anne Carson and Antonin Artaud, and I don't know, Brigadoon? Published in KNOCK. 1F, 3M, 15 minutes.
Kawaisoo (The Pity of Things)*
A one-woman show about consumerism and loss post 9/11, published in The Back Stage Book of New American Short Plays 2005 and performed all over the place. 1F, 20 minutes.
Luna*
A creation myth of the sun and moon, as told by a cokehead. Premiered at Theatre of NOTE. A very short piece for three actors.
Maria/Stuart
I adapted Friedrich Schiller's Maria Stuart without actually reading it, sort of (I eventually read it). Contains elements of Kaufman & Hart, Chekhov, and nuts or traces of nuts (i.e., my family. Though any resemblance to persons living or dead is purely coincidental, gramma!). Premied at Woolly Mammoth, August/September 2008; subsequent production at Theater Schmeater, Seattle (click here for reviews). Developed in Soho Rep Writer/Director Lab, and read at Dog & Pony in Chicago. 5F, 1M, 110 minutes.
Moloch and Other Demons
A totally insane thing I wrote that had a really terrible production (no offense, actors, it wasn't your fault). It's about an invasion of hell by heaven, and it turns out pretty much like the Iraq War did. Heavily inspired by the paintings of Hieronymus Bosch and Francis Bacon. I'm thinking of rewriting it with act one as a Beijing Opera and act two as a tight one-act about war. Developed with HERE, Salvage Vanguard, The Brick, and Circle X. Cast and length flexible, not too many if you use a lot of puppets.
The New Jersey Book of the Dead
A labor drama in an office park in Jersey City. Contains surveillance and mystical elements. Premiered in Indiana at the Bloomington Playwrights Project in 2004, and will have a production in Austin, TX, with The Vestige Group.
Prometheus Rendered*
Basically Aeschylus' Prometheus Bound, using the officially sanctioned torture techniques used at Guantanamo Bay. Fun for the whole family! Written for Theaters Against War, where it was directed by HERE's Kristin Marting. Published in Three Classics, from Playscripts Inc. 1M, 3 any, 15 minutes.
The Southridge High Forensics Team Presents Assorted Tales of Robin Hood*
A YA comedy commissioned by The Keen Company and Playscripts Inc.'s "Keen Teens" program. A high school forensics team tries to do Robin Hood and it goes off the rails. Hilarity ensues! 30 minutes, large cast, for kids, | |
